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ray ban clubmaster aluminumCellulite, which mostly affects women thighs, is a form of fat combined with retained water. Sometimes it holds so much water that it is swollen and painful to the touch. These are some of the toughest and most tragic cases coroners deal with," Judge MacLean said.He said this might be partly due to a recent agreement for coroners to alert the Ministry of Health through consultants Clinical Advisory Services Aotearoa (CASA) to every suspected suicide so that support can be put in place to stop copycat suicides."Particularly for a youth suicide it means trained people, be it the Ministry of Education trauma intervention team or CASA, in a school suicide, can be at the school gate the next morning saying to the headmaster, 'You don't know it yet but you've had a suicide in the school community and we are here to help,'" he said.The Maori suicide rate also dropped from a recent peak of 23.34 per 100,000 people in 2011 12 to 18.58 last year and 18.06 in the latest year, although this is still higher than for any other ethnic group.Judge MacLean said indigenous peoples also had above average suicide rates in Australia, North America and South America."The good news is that we are well down from the peak beforehand, and again I like to think that is because local Maori communities an example would be Kawerau have said this is our problem, what are we going to do about it, and have done something about it," he said."My perception is that the key is community awareness and community willingness to say this is our problem, let's combine forces and talk about it."But the number of suicides by the elderly aged 60 plus jumped from 75 in both the previous two years to 97 in the latest year, almost equaling youth suicides in numbers.The increase in the suicide rate per 100,000 people was muffled because of our aging population, but Judge MacLean pointed to social changes that made older people increasingly isolated."It's a raft of things the loneliness of elderly people, the whole environment of rest homes, palliative care, all that sort of thing," he said."We see the phenomenon in Western society, unlike some societies where several generations live together that is perhaps the traditional Maori way as well we see that changing. You become old, you move into state subsidised or state funded care and you are isolated in many cases from your whanau or family, and that is part of a phenomenon of the Western way of life," he said."Personally from my perspective, I think that is something not particularly helpful for a sense for the elderly person that they still have a point to living, feel worthwhile, are valued."A history of suicide in New Zealand published this year by Canadian professor John Weaver showed that the usual pattern through most of the last century was for suicide rates to peak in middle age because older men felt useless when health problems or accidents forced them to stop work.Our abnormally high youth suicide rates among the highest in the world were associated with high youth unemployment from the late 1980s, and have been trending back down as it has become easier to get jobs from the late 1990s.The latest statistics show that 147 of the 529 people who committed suicide in the year to June were unemployed, compared with 222 who were employed.


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The New Blockaders
 
The New Blockaders
The New Blockaders may sound like a hip Indie Rock band, and they may want you to believe such a thing to lure unsuspecting listeners. As merchants of 'anti-music,' they embrace Luigi Russolo's 1913 Art of Noise manifesto and although Russolo is widely credited as being the first major noise theorist, contemporary Noise artists like TNB were the first to progress from the use of noise as assault on tonality to the development of a rich, complex language capable of subtleties of shade and nuance without sacrificing any of its feral power or ability to unlock repressed personae in the listener.

Their manifesto (1982) proclaims, 'Blockade is resistance. It is our duty to blockade and induce others to blockade: Anti-music, anti-art, anti-books, anti-films, anti-communications. We will make anti-statements about anything and everything. We will make a point of being pointless�� Everything about TNB entails refusal. The title of their collection Gesamtnichtswerk is important here. It reminds us of Wagner�s dream of the �total art work��the Gesamtkunstwerk, but the art is replaced by nothing.

Lazier souls than I would place TNB within the pantheon-lineage of UK Industrial, although I see them as a free-standing unit with more in common with the Futurists and (maybe) Einsturzende Neubauten (without the �songs�: Electrical tools, metal, ear-shredding static noise - the very definition of nihilism through sound. Superficial similarities exist to forebearers like AMM's free form music aesthetic, Throbbing Gristle's Second Annual Report and Lou Reed's one-off decadent, noise-loop experimentation Metal Machine Music. TNB differ in that they have never burdened themselves with writing excessive, sleazy Rock Pop put on, prone to current Pop culture sampling obsessions or attempts at confining unruly, nihilistic sounds. They create a true musical sound cluster of destruction to such an extent that their so-called 'anti-music' transcends nihilism into positivism/optimism suggesting new music.

TNB always suggested more than a band or musical project. They are bent almost as much on philosophy and literary ambitions, issuing manifestos and texts and referencing the likes of Debussy and Nietzsche. TNB never set out to be part of a self-glorifying youth movement where pompous, romanticized bullshit dies hard in an endless, capitalistic magic show. Instead, they depict the emotional tonalities of an ambivalent, ambiguous new century with no form or direction. Their musical legacy offers respite from the fraudulent herd of co-opted streamlined sounds, which masquerade as experimental.

They served as a major influence on legendary Noise pioneers as Merzbow and their influence on the current crop of popular crossover Noise artists such as Prurient and Wolf Eyes is immeasurable. Collaborations in recent years with artists such as Sonic Youth's Thurston Moore have brought their anti-sound to a younger and diverse audience. The metal-bashing of K2, the awkwardness of Runzelstirn & Gurgelstock, the density of Macronympha and the abrasiveness of Merzbow all owe something to the anti-music of TNB. They, more than any other, define the essence of true Noise music both in art and in act.


Even Anti-Art Is Art... That Is Why We Reject It!